كان الشّتاء هو صوت المطر ليلاً حين ينهمر من المزراب الذي في السّطح ويصب في الحمام الملصق بجسد الدار كالبثرة. يبدو شرح هذا صعباً، لكن هذا المزراب كان طبيعياً يوصل بين السطح والأرض الفلاء، وبعدها أحتاج جدي لأن يضيف بطريقة ما حماماً صغيراً للطوارئ، فألصق الحمام في منطقة المزراب. لذا كنا نعرف المطر: ينهمر من المزراب المرتفع عن الأرض حوالي متراً واحداً، يصب على أرضية الحمام ذات البلاط الأبيض! ولأن مطر صيفاً غالباً ما يكون هادراً سريعاً وراعداً، فلم نكن نميز صوت مياهه في المزراب، لكن شتاءنا كان ضبابياً كثيفاً، وكانت أمطاره وادعة، ديمة كما في الأغاني، تظل طوال الليل تنقر على الأرض.
Divided between two cultures, it has been two decades ago since I came from India back to Yemen. Yemen has always inspired me since 1985 especially the old city of Sanaa where I have been painting views and veiled women. The rich history and culture of Yemen allowed me to work with Queens and women of this beautiful country.
Since I studied arts in the “Government College of Art and Craft” in Calcutta, India still remains my first love as I have been among the contemporary Indian artists who inspired me, to name a few Ganesh Pyne, Ganesh Haloi, Sunil Das, M.F. Husain and many others. My works are influenced by the “Kolkutta Modern Art Group”.
There is still so much to do and I am always feeling that I am still at the beginning. I have worked with several mediums like oil-acrylic, mixed media and water colour. I work as an eclectic artist and I don´t like to stick on one medium for a longer time. Since Yemen has only a hand full of artists and not much has been done here yet in Contemporary Art, I am still working with different mediums and techniques to create varieties of artworks.
These are my recent works on canvas, mostly untitled, but women remain the major subject in my abstract compositions, sometimes combined with fragments from the old city of Sanaa.
See his art at http://www.nizar-art.com/index.html
From our AIYS Facebook Site.
These are postcards of “Somali soldiers” in Aden during the British Protectorate. One can see the Orientalist bias of depicting the “native” as an exotic object.
April 12-16, 2017
Application Deadline I March 15/Deadline II April 1, 2017
35 slots only/Rolling acceptanceThe First Yemen Exchange
(convened in Beirut, Lebanon) is co-hosted by the Sanaa Center for Strategic Studies (SCSS) and Mideastwire.com. During the five day program, participants from around the world will listen and engage Yemeni politicians, civil society figures and analysts in order to provide direct and intensive insight into Yemen, from several differing perspectives. As such, the Exchange is a fundamental part of SCSS’s attempt to increase the content, space and conversations on Yemen with the hope that increased dialogue and understanding will ultimately help to create the conditions for sustainable peace-building. The five day Yemen Exchange rests on two tracks:
Continue reading Yemen Exchange in Beirut
These are photos on Youtube of the Haradh (حرض) peace conference in Yemen taken in May, 1965 by Richard Blalock. In attendance were Shaykh ‘Abd Allāh al-Aḥmar, Ustādh Nu‘mān and Qadi ‘Abd al-Raḥman al-Iryānī.
̇(Thanks to Charles Schmitz for forwarding this.)
Here are two old postcard photographs of doors in Hodeidah.
The past of Yemen is preserved in many ways, including quite a few postcards from the early part of the 20th century, especially from Aden. Here are a few examples. If you have any you would like to see posted to this blog, please email the webshaykh at email@example.com.