Noha Sadek in AIYS office in Bayt al-Sammān, December 1997
Since I landed in Sanaa for the first time on a brisk early morning with Ed Keall and four other members of the Canadian Mission of the Royal Ontario Museum in Zabīd, Yemen became the main focus of my research and AIYS played an important role in providing a reassuring base, administrative support as well as contacts with fellow researchers. Located near the Tourism office on Taḥrīr Square, AIYS in 1982 was a small house whose director, Leigh Douglas, gave us spartan but reassuring headquarters. Gazing then at AIYS’s colourful qamariyas, I had little inkling that I would return to Yemen three years later for my Ph.D. thesis research on Rasulid architecture.
Thus, I deemed myself lucky to have been awarded the AIYS doctoral fellowship for 1985-86. I shrugged off objections voiced over the fellowship being given to a Canadian, and I spent most of my six-month research period in Ta‘izz studying its magnificent Rasulid monuments. By then, AIYS had moved to a house on 26 September street but I did not reside there during my trips to Sanaa as I lived in Selma Al-Radi’s house in ḥārat al-ʿAjamī, an alley named after the family that owned most of the buildings in it, and whose major landmark was the French Centre for Yemeni Studies (CFEY). I subsequently returned to Yemen to continue work on Zabīd with the CAMROM, and with the help of local historian ʿAbd al-Raḥmān al-Ḥaḍramī I succeeded in mapping the town’s 86 mosques. Our common interest in Yemeni architecture made Selma and I decide to embark on a survey of Yemen’s painted mosques, for which we received an AIYS grant in 1993 that allowed us to hire a car and a driver that made travel to remote mountainous regions, where several of these incredible buildings were located, a lot easier.
Noha Sadek on the mosque trail in Zabid (Photo by Ed Keall)