Category Archives: Aden

All about Aden

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One of the most impressive Yemeni sites for the culture and history of Aden and southern Yemen is alamree.net. You can literally spend hours exploring this rich site. As you can see in the above image from the main page, there is information on Aden itself, coffee and mountains in Yāfi‘ the Aden zoo and the mosque of al-‘Aydarūs. There is also a treasure trove of images and photographs on Aden, some of which are very old. More photographs and videos are also available on the Facebook site of Hussain Alamree.

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Tawāhī in the 1960s

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Ma‘alā sūq, 1920

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Local dance in Shaykh ‘Uthmān, 1947

مطعم بالو في عدن

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من معالم عدن:
مطعم بالو: يقع في كريتر بالقرب من الميدان في بداية الشارع المؤدي إلى مسجد حسين الأهدل بحافة حسين ، وهو متخصص ببيع الكباب.
فتح الحاج محمد بالو المطعم في عام 1926، بعد قدومه إلى عدن مع كثيرين من الهند وقد كان بائعاً على الرصيف للكباب في الهند، ومنحته السلطة المحلية رخصة دكانه الصغير بالقرب من مقهى «زكو»، وبعد وفاته شغل المطعم ولده ياسين، وعجينة الكباب تُحظر في بيت صاحب المطعم التي تحتفظ بسر خلطة كباب بالو المميز.
والأن يدير الشيف نجيب ياسين محمد بالو المطعم الذي أشتهر واصبح من معالم عدن التاريخية وعلى العدنيين الطيبين ومحبي عدن تكريم هذا المطعم بما هو أهل له هو ومكتبة الحاج عبادي.

من فاسبوك محمد جرهوم

​Modern Yemeni Theatre: A Brief History

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Yemeni novelists and playwrites  Nadiah al-Kokabany, Wagdi al-Ahdal, Ali al-Moqri and Samir Abdul-Fatah

by Sara Forcella

Over the past two centuries, Yemen has been the scene of an important literary flowering. Despite the never-ending struggle of play-writers against the socio-political difficulties of the country, the emergence of the Modern Yemeni Theatre doubtless represents an example both of an innovative and high value literary production. Continuously facing social, political and cultural problems, Yemeni authors and players have always shown a great capability of keeping up with the times. Their works talk about doubts, questions, passions and issues of the modern man, going beyond the “local” dimension and constantly dialoguing with their Western counter-parts.

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Sa‘īd ‘Awlaqī

According to Saʿīd ʿAwlaqī (Sabʿūna ʿāmān min al-masraḥ fī-al-Yaman [Seventy Years of Yemen Theatre], 1983), the first information available about the early Yemeni dramas dates back to 1904 when the Indian acting company of Jamlat Shah came to Aden. The company went on stage with a mostly musical performance involving all its members, namely actors, dancers, musicians and circus animals. However, it was not until 1910 that the first Yemeni theatrical company was established in Aden, consisting of students that acted out a western play, Shakespeare’s Julius Caesar, in Arabic. As al-Mubarak (Arabic Drama, A Critical Introduction, 1986) wrote, these first companies adopted the western model of playwriting once they came in direct contact with it during the 19th century, both in Greater Syria (the ancient region including Syria, Jordan, Lebanon and the Palestine territories till the collapse of the Ottoman empire in 1918) and Egypt. Western models melded with previous forms of Arabic art performances, spanning the traditional shadow play, storytelling and poetry recitation.
Continue reading ​Modern Yemeni Theatre: A Brief History

ذكري الفنان الكبير محمدعلي ميسري

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يصادف اليوم 2 فبراير الذكرى الثالثة على رحيل الفنان الكبير محمدعلي ميسري رحمة الله عليه
وهو شاعر وملحن ومطرب ولد في مودية بمحافظة أبين في عام 1946، وتوفى في 2 فبراير 2016،
اشتغل في سلك التدريس من 1/1/1962، حتى 1/11/1978، ثم انتقل الى ادارة الثقافة ابين مديراً للمركز الثقافي مودية، واحيل للتقاعد في 2006.
كان يتمتع بصوت شجي فيه نكهة أبينية مميزة؛ والحانه تتناغم مع رقصة (الشَّرح البدوي) المعروفة.
شارك في العديد من المهرجانات المحلية والعربية والدولية أبرزها مشاركته الفنية في كوبا، كوريا، العراق، المانيا وطاجكستان.
كان رحمة الله علية رائداً للحركة الفنية في دثينة ومن كبار فناني اليمن. أسس في أواخر عام 1965، أول ندوة موسيقية في مودية، وشكل في النصف الثاني من عام 1969، فرقة فحمان الموسيقية.
كما أثرى المكتبة الموسيقية برصيد كبير من الأغاني والأعمال الفنية، منها: يا طير السحر، آبا آبا ليش هكة، فرحة النصر، يا عيد عيدوه، يا فلاحة، ياعم منصور، كيفكم ياحبايب، موسم الصيف، ليش زعلان مني، الغصن الرطيب، ياحادي العيس / شي معك لي اخبار من تلحينه وشعر عبدالله مقادح، قلبي اشتراكم من كلماته وتلحينه.
وغني يا عدن الثورة، اليمن الواحد، ما أفتهم كيف أنت، يا ذي نويتوا العيب وأحرمتوا قلب المحب، إسمك كتبته فوق جدران قلبي، هيثم عوض قال، جودوا لي بليلة، ما أحسنك ما أحسنك يا الغصن الرطيب، عناق الأحبة، سلام شف كيف صنعاء
وله الفضل في تقدم العديد من الاصوات الموجودة في الساحة الفنية.
غنى له بعض الفنانين العرب وسطا بعضهم على بعض ألحانه وأغنياته، مثل: يا عم منصور وليش زعلان مني.
المعلومات في هذه النبذة المختصرة مستلة من السيرة الذاتية التي كتبها المرحوم الأستاذ حسين محمد ناصر ومن السفر الجميل للأستاذ محمد بن ناصر العولقي: من تاريخ الأغنية في لحج وعدن وأبين.

محمد جرهوم

Yemen’s First Artist Abduljabar Noaman Dies

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Yemen’s most celebrated and accomplished painter, Abduljabar Ahmed Noaman, died on January 28, 2019 at an age of 70 years.  Born in 1949 in the Dhubhan countryside of Taiz province, he received basic  and secondary schooling in Aden. He was the first Yemeni student to be dispatched abroad to study arts at the Italian Institute for Arts in Cairo, from which he graduated in 1973 with a bachelor degree.

Noaman had proved himself to be have an original artistic talent and became a professional  and prolific painter. Throughout his artistic career over  half a century he produced hundreds of  artistic works and contributed to dozens of artistic exhibitions at regional and international levels. In his paintings and drawings he depicted Yemen’s  geography, history, civilization and culture. His models were taken from different parts of Yemen: From Hadramawt mud brick skyscrapers, to the old city of Sanaa and bunches of roses on Mount Sabir in Taiz and so on.

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Continue reading Yemen’s First Artist Abduljabar Noaman Dies

Yemen at MESA 2018

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The annual meeting of the Middle East Studies Association (MESA) in San Antonio, Texas, is only a little over a month away. Yemen will be well represented this year, both in AIYS sponsored panels and individual papers. The AIYS General Information meeting, to which all are invited, will be Friday, November 16, 4-5 in room Mission B (2).

Here are the panels and papers on Yemen:
Friday, November 16, 11-1, AIYS Panel
(5224) Anthropology in War-Torn Yemen: Challenges, Dilemmas, and Alternative Methodologies.
Organizers: Susanne Dahlgren and Marina de Regt
Chair: Stacey Philbrick Yadav, Hobart & William Smith Colls.
Marina de Regt, Vrije Universiteit-Amsterdam-Finding Ways to Work on Yemen: A Plea for Engaged Scholarship
Susanne Dahlgren, U of Tampere/National U of Singapore-Securitized Yemen: Studying a Popular Revolution in the Shadow of War, Drones and Terrorism
Nathalie Peutz, NYU-Abu Dhabi-Fieldwork in a Yemeni “Village” Displaced and Constituted by War

Saturday, November 17, 8:30-10:30
(5307) Unorthodoxies Shi’ism, Sufism, Feminism
Michael Dann, U of Illinois-Zaydi and Imami Appropriations of Early Shi’i Hadith Narrators

Saturday, November 17, 11-1 AIYS Panel
(5057) The Birth of Modern Yemen: Internal Views of the 1960s Civil War
Organizer: Marieke Brandt
Chair: J. E. Peterson, Tucson, Arizona
Marieke Brandt, Austrian Academy of Sciences-A Tribe and Its States: Yemen’s 1972 Bayhan Massacre Revisited
Joshua Rogers, SOAS, U of London-Aid and Taxes: A Political Economy Analysis of the Civil War in North Yemen 1962-1970
Gabriele Vom Bruck, SOAS, U of London-Domestic Photography and Memories of Loss in Northern Yemen
Zaid Alwazir, Yemen Heritage & Research Center-The Third Force’s Role in Yemen’s Peacemaking and Achieving National Reconciliation (1964-1970)

Saturday, November 17, 3-5
(5118) Challenges Facing Yemen’s Millennia-Long Cultural Heritage (Roundtable)
Organizer: Mac Skelton, Johns Hopkins U
Chair: Sama’a Al-Hamdani, Yemen Cultural Institute for Heritage and the Arts
Alexander Nagel, Smithsonian Institution, National Museum of Natural History
Najwa Adra, American Institute for Yemeni Studies and Institute for Social Anthropology, Austrian Academy of Sciences
Nathalie Peutz, NYU Abu Dhabi
Sabine Schmidtke, Institute for Advanced Study

Saturday, November 17, 3-5
(5059) Beyond the Written Word: Unity and Diversity across Transmission and Transformation of Medieval Textual Traditions in the Arabian Peninsula
Anne Regourd, CNRS, UMR 7192-Questioning the Birth of a Tradition
Corrado la Martire, U of Cologne-How to Conceal the Tradition into the Text: Tayyibi Isma’ili “Codes of Conduct” (adab al-du’at) between Yemen and India

Sunday, November 18, 1:30-3:30
(5105) The Indian Ocean without Boundaries: A Historical Perspective
Organizer: Daniel Martin Varisco
Chair: Roxani Margariti, MESAS Department, Emory U
Craig Perry, U of Cincinnati-The Slave Trade in the Indian Ocean before 1500: Evidence and Interpretive Challenges
Andre Gingrich, Austrian Academy of Sciences-Local Knowledge in Pre-Colonial Maritime Interactions
Marina Tolmacheva, Washington State U-Managing Monsoons: Mamluk-Era Voyaging East
Daniel Martin Varisco, American Institute for Yemeni Studies-Sailing with and against the Winds: Navigation in the Red Sea Indian Ocean Network in the Ayyubid, Rasulid and Mamluk Eras

Sunday, November 18, 8:30-10:30
(5279) Composing a Community of Words in the Islamic World: From Medieval to Modern
Emily Sumner, U of Minnesota-“In Our Sea Their Sins Must Drive Them”: The Righteousness of the Huthi Zamil

Sunday, November 18, 8:30-10:30
(5061) Medical Mobilities and Transformations in the Global Middle East
Shireen Hamza, Harvard U-Stretching the Body: Preparing to Travel in the Indian Ocean World