Yemenite Jewish children in 1901
Yemenis in Sanaa, 1901
《 هو كيان إختصاصي بفنون الاداء الموسيقي بألة العود بالارتكاز ع موروث الموسيقى العدنية و روائعها النغميه
Here is a short but nicely filmed video on handicraft making in Yemen.
A delightful poem on Yemeni dialects…
كان الشّتاء هو صوت المطر ليلاً حين ينهمر من المزراب الذي في السّطح ويصب في الحمام الملصق بجسد الدار كالبثرة. يبدو شرح هذا صعباً، لكن هذا المزراب كان طبيعياً يوصل بين السطح والأرض الفلاء، وبعدها أحتاج جدي لأن يضيف بطريقة ما حماماً صغيراً للطوارئ، فألصق الحمام في منطقة المزراب. لذا كنا نعرف المطر: ينهمر من المزراب المرتفع عن الأرض حوالي متراً واحداً، يصب على أرضية الحمام ذات البلاط الأبيض! ولأن مطر صيفاً غالباً ما يكون هادراً سريعاً وراعداً، فلم نكن نميز صوت مياهه في المزراب، لكن شتاءنا كان ضبابياً كثيفاً، وكانت أمطاره وادعة، ديمة كما في الأغاني، تظل طوال الليل تنقر على الأرض.
Divided between two cultures, it has been two decades ago since I came from India back to Yemen. Yemen has always inspired me since 1985 especially the old city of Sanaa where I have been painting views and veiled women. The rich history and culture of Yemen allowed me to work with Queens and women of this beautiful country.
Since I studied arts in the “Government College of Art and Craft” in Calcutta, India still remains my first love as I have been among the contemporary Indian artists who inspired me, to name a few Ganesh Pyne, Ganesh Haloi, Sunil Das, M.F. Husain and many others. My works are influenced by the “Kolkutta Modern Art Group”.
There is still so much to do and I am always feeling that I am still at the beginning. I have worked with several mediums like oil-acrylic, mixed media and water colour. I work as an eclectic artist and I don´t like to stick on one medium for a longer time. Since Yemen has only a hand full of artists and not much has been done here yet in Contemporary Art, I am still working with different mediums and techniques to create varieties of artworks.
These are my recent works on canvas, mostly untitled, but women remain the major subject in my abstract compositions, sometimes combined with fragments from the old city of Sanaa.
See his art at http://www.nizar-art.com/index.html
These are photos on Youtube of the Haradh (حرض) peace conference in Yemen taken in May, 1965 by Richard Blalock. In attendance were Shaykh ‘Abd Allāh al-Aḥmar, Ustādh Nu‘mān and Qadi ‘Abd al-Raḥman al-Iryānī.
̇(Thanks to Charles Schmitz for forwarding this.)
The poet Ahmed Qasim Dammaj (center) with Dr. Abd al-Aziz al-Maqaleh (right)
Obituary : Ahmed Qasim Dammaj
by Salwa Dammaj, his daughter
The genius poet and much respected activist Ahmed Qasim Dammaj died aged 77. He passed way Tuesday morning January 4, 2017 in the Military Hospital in the capital Sana’a. His body was laid down in his final rest in the graveyard of the “Friday Dignity Martyrs” in Sana’a. In a huge funeral held Wednesday hundreds of mourners paid tribute. The mourners included high rank Yemeni officials, writers, authors, journalists, academics, politicians, activists, social dignitaries and ordinary people.
Yemen’s great poet and intellectual Dr Abdulaziz Al-Maqaleh took part in the funeral. Dr Al-Maqaleh was Dammaj’s intimate friend and long standing fellow. He described Dammaj’s death as “a grave lose for creativity during these circumstances”. He had been a veteran freedom fighter who participated in the revolution of the 26 of September and 14 of October”, said Dr Al-Maqaleh.
Official authorities, political parties and trade unions all paid tributes to the late Ahmed Qasim Dammaj. Both the incumbent president Abd Rabu Hadi and the former president Ali Saleh mourned him in cables of condolences in which they highly praised the role Dammaj played in building up the political and trade union organizations in the country. Hadi’s statement read: “Ahmed Qasim Dammaj was a great patriotic figure, with noble values, virtues and very good track record. Our thoughts with his family”. For his part, the former president Saleh considered Dammaj a man of principles. “Few Yemeni intellectuals, like Ahmed Qasim Dammaj, had really held unalterable national convictions and principles. Dammaj had already set a good example as a patriotic activist and NGO leader. Our sympathy with his family”, Saleh said in his statement.
The Union of Yemeni Writers and Authors gave high praise to the departed Dammaj. A mourning statement issued by the union read: “With the death of the great poet and veteran freedom fighter, Ahmed Qasim Dammaj, Yemen has missed one of the most influential patriotic persons who had actively and effectively contributed toward establishing the NGO’s, on top of all the Union of the Yemeni Writers and Authors. The Union’s mourning statement went on saying: “Dammaj was one of the founders who played a key role in promoting Civil Society organizations and he had heralded the notion of the country’s reunion. The statement added: “It is a grave lose to miss the wisdom of this great man and it is saddening to miss his patriotic voice at this critical moment.”
Continue reading Ahmed Qasim Dammaj: Obituary
In 2011, millions of Yemenis calling themselves the Peaceful Youth joyfully joined the “Arab Spring.” Four years later, popular aspirations for social justice and a serious attempt at national dialogue were thwarted by deadly domestic power struggles. When the pro-Saudi, US-supported government fled to Riyadh in April 2015, the Kingdom led a multinational military intervention inside Yemen. By December, daily bombardment had killed thousands of fighters and civilians, injured and displaced hundreds of thousands, and decimated homes and infrastructure. A naval blockade cut off access to fuel, medicine, and food for millions. In addition to this humanitarian catastrophe, the ensuing chaos emboldened al-Qaeda in the Arabian Peninsula and led the group ISIS to expand there.
Perfect for understanding the political economy, geopolitics and social relations of the region.Prof. Laleh Khalili, University of London, SOAS
Arabia Incognita helps readers understand this tragic misadventure by tracing the Arabian Peninsula’s modern history from Yemen’s strong anti-imperial movement of the 1960s through the present series of conflicts. The majority of the essays focus on Yemen’s colorful and complex internal socio-political dynamics; others draw attention to parallel, often inter-connected disharmonies inside the Gulf’s petro-kingdoms; wider regional upheavals and movements; and America’s deep, vast and very problematic security involvement in the Persian Gulf and the Arabian Peninsula.
Photograph by Maarten de Wolf
“I am walking through Sana’a and can’t believe my eyes.
Does this still exist – lots of men in white dresses wearing daggers?”
In 2013 the photographer Maartin de Wolf published online a superb set of photographs about Yemen, highlighting the variety of dress old and new. Amidst the current destruction of all almost aspects of daily life in Yemen, it is good to remember the beauty of Yemen and its people. Check out the photographs for yourself.